We’ve reached the halfway point of the season and with it comes a tonal shift back to the roots of Star Wars animation - 'The Clone Wars'. With the arrival of the Empire, the focus shifts away from Maul and his dealings and toward the pair of Jedi as they are now in the crosshairs. The noire tone takes a back seat, next to Maul, as things become more pulpy, mixed with an impending doom that is reminiscent of the final season of 'The Clone Wars'. The set-piece action sequences get an injection of scale and danger, which is exciting, and some of the early seeding of characters like Rylee start to pay off. While maybe a bit different from the previous 4 episodes, the quality and the stakes remain high (well... for every character except Maul I suppose). Join Julian and Rachel as the unpack it all in excruciating detail.
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SSSW - Maul: Shadow Lord - Chapter 3 & 4
Now that the premiere is out of the way, the team at Lucasfilm Animation can focus on driving the story forward with authority. The pacing is much improved this week as time feel more evenly dispersed across the characters. There's a greater concentration on characters who can wield a lightsaber and it's appreciated. No shade to the crime syndicate storyline, but we've kind of seen all that already (it was quite literally a 'Clone Wars' arc). The action remains strong while taking another step forward with lightsaber duels joining the mix. Plus, the fast cutting from last week seems to have been dialed back, which is appreciated as it provides more clarity in action scenes. For example, Devon's engagements with Maul are gripping, and with the additional time provided to Master Daki, the stakes feel ratcheted up. Kevin Kinner's music remains a highlight, the illusions to the Anakin vs Obi-Wan Mustafar theme was a particular highlight. In general, there is still room for more character growth, especially with characters not named Maul, who really can't/won't change - but happy to proven wrong! This show feels like it's in full swing already, which is good because next week things look to be really heating up as we hit the half way mark. Julian and Rachel unpack it all!
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Bonus Episode - ToB Film Club - Slap Shot (1977) - Review + Commentary Track
In honour of Matt strapping on the goalie pads again for the first time in many years (and not completely pulling his groin), it only made sense to revisit the classic hockey comedy, 'Slap Shot' from 1977. This isn't the first time seeing the movie for either Julian or Matt but it's been a long time so there are plenty of questions still to answer. Here's a few examples: How well shot are the hockey scenes? Does the movie feature more or less actual hockey than 'Heated Revelry'? Does the plot and/or humour hold up all these years later? All these questions are answered in time, but we're also trying something new this month. Instead of a traditional movie review, Julian and Matt decided to go a layer deeper and add a full commentary track for the movie as well. So enjoy the full review, which takes place, before, during, and after the movie itself, and sync up your own copy of the movie (there's a countdown before we start) to get the full experience!
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Bonus Episode - ToB Film Club - Surviving Christmas (2004)
Happy holidays ToB Fans! Completing a string of 3 straight publicly available Film Club episodes, commemorating the show's relaunch, we finish with our annual tradition of doing a Christmas movie for December. This year, with Matt joining the show it was his choice. He went with a movie from the mid-2000s that he's revisited time and again - 'Surviving Christmas'. A Ben Affleck vehicle that comes from a rocky era of his, just one year removed from 'Gili'. Fortunately, it features a strong supporting cast, with both Catherine O'Hara and the late James Gandolfini stealing the show and preventing this from being a complete disaster. Devoid of any type of strong holiday message, we spend much of the movie indulging Affleck's character's obnoxious desires, and despite some funny moments peppered throughout and a relatively strong third act, the tonal inconsistency and unlikability of the main character leave this movie mired in mediocrity. See you all again in 2026!
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Bonus Episode - ToB Film Club - Dark City (1998)
The term often used to describe the 1998 Alex Proyas film, 'Dark City' is "Proto-Matrix" given the many similarities between the two movies. Fair or not, they do have a lot in common but I think the comparison does a disservice to what is still a very clever and well made genre-film that largely holds up today (minus some questionable early CG effects). The 4K re-release gives it a fresh coat of paint, looking extremely sharp on modern televisions, accentuating the mostly dark and moody imagery of this sci-fi film noir, and given it's title this is all very fitting. Alex Proyas has some bid ideas here; what is the human soul? Are we the sum of our memories? Can memories be distilled into chemistry? Is love transcendent? Many of these themes are explored with depth, with answers to many of the films mysteries being laid bare in mostly satisfying way. Performances are strong, with everyone seemingly understanding the assignment, though there isn't much for the female characters to do here. Which is unfortunate as what we do get from Jennifer Connelly is intriguing, if lacking depth. On the whole, despite being pretty weird, this is still a very fun movie, if a bit silly at times, that was unfortunately overshadowed by the phenomenon that was 'The Matrix' dropping the following year.
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Bonus Episode - ToB Film Club - Kingpin (1996)
Before Matt officially joined the show as a co-host he was invited on as guest to talk about one of his favourite movies of all time, ‘Swingers’. Now returning in an official capacity to the ToB Film Club, he brings with him another film from his top-3, another comedy, ‘Kingpin’. A Farrelly brothers film that followed up their smash hit breakout, ‘Dumb and Dumber’, and you can see the through lines. Like ‘Dumb and Dumber’ we follow two guys who are down on their luck as they head out on the road where chaos and hilarity ensue. Unfortunately it wasn’t the hit they hoped despite a killer cast, including legends Bill Murray, Randy Quaid and Woody Harrelson and as a result it didn't leave as large of a cultural footprint as some of the other Farrelly brothers films from this era. It's been nearly 30 years so now seems as good a time as any to revisit this sleeper and see what everyone was missing back then.
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SSSW/ToB Film Club - Rogue One: A Star Wars Story
It's hard to believe that 'Rogue One' premiered nearly a decade ago. At the time, it was fairly well received, considered to be a decent first step into the standalone Star Wars movies, if not a bit messy. As the years passed, we learned more about the production. Gareth Edwards, who retained sole directing credit, was assisted by Tony Gilroy to "fix" the project. Tony went so far as to call it a "corpse" when he came aboard for rewrites and reshoots. It was Tony's inclusion that brought us some of the movies most memorable moments, and ultimately led him to leading the charge on 'Andor', a prequel project that flew under the radar as hits like 'The Mandalorian' hogged the spotlight. With 'Andor' now complete, considered by many to be a masterpiece in storytelling, not just in Star Wars but on television in general, now is the most appropriate time to reexamine the movie that spawned the Cassian-centered prequel series with fresh eyes. 'Andor', which leads directly into the events of 'Rogue One' recontextualizes much of the film, creating a unique viewing experience that pays off a multitude of threads that are brilliantly laid over the two seasons of 'Andor'. It takes the movie, which was already pretty good, and makes it great. Now existing as part of a whole that weaves a cohesive narrative from the nascent moments of the Rebellion all the way through to the destruction of the Death Star in 1977 (the seed that begat ALL Star Wars, and what we appropriately align our Star Wars BBY calendars to). It all feels wholistic and considered when viewed from the broader perspective - an accomplishment that should set a shining example of what Star Wars can and should aspire to.
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SSSW - Andor S2 Finale
After only 4 weeks - the blink of an eye - it's all over. The best Star Wars story since the Original Trilogy has graced our screens and left us in awe. These final three episodes weren't able to reach the emotional highs of last week's arc, but that wasn't the goal. Instead, it provides time to look back at what brought us here, and sets the stage for the climax of the story to take place not in this moment, but within the now recontextualized film that birthed all of this in the first place, 'Rogue One'. And while the show may carry Cassian's name on the title screen, it's been the cast of characters we've met along the way that truly elevated this experience. Not to pick favourites, but in particular, Luthen and Kleya, who get an episode all to themselves this week are the standouts. And what an episode it was, as their story which shepherded much of the series came to an end, as we all expected it would have to. Embracing those feelings of closure, in the final moments of the series, as Cassian flies off into 'Rogue One', we are treated to our last glimpses of our heroes and villains. From Dedra to Vel and even Perrin, we are left to consider their fates as the story marches with inevitability into what begat all of this way back in 1977. Will we ever see Kleya, Vel, Wilmon, or Bix again? One can only hope - and rebellions? Well, they're built on hope.
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SSSW - Andor S2 E7 - 9
When dealing in the world of prequels, it’s impossible to escape the inevitable - Anakin will fall, Han will win the Falcon, Cassian will die on Scarif. Somehow, in the midst of some of the most thrilling episodes of television ever put to screen, Tony Gilroy and his team found a way to address that impending doom and weaponize it against the audience to induce some of the most gut wrenching and heart breaking moments we’ve yet to see on ‘Andor’ - “There’s some place he needs to be”. At a larger scale, the show continues to outdo itself on a weekly basis, proving that the Star Wars galaxy provides a colour pallet of some of the richest hues from which to paint bold and personal stories. Proving you can go beyond the larger than life stories of heroics and grandeur to human stories of loss and pain and everything in between. That’s without mentioning the deft touch in pulling in themes that resonates with the contemporary while remaining timeless - a feeling that is a staple of Star Wars. Every detail is considered, every character is deep and interesting. There isn’t much more that can be said about such a powerful piece of art, except that not even the audience can escape the inevitable - only one week remains of this masterpiece.
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SSSW - Andor S2 E4 - 6
I'm sorry to tell you all, but we're already halfway through this final season of 'Andor'. Fortunately, the quality hasn't dipped one bit as we accelerate into the finish. Join Julian and Rachel as they savour every minute of this 3-episode arch that takes us to Ghorman for the first time on screen. Tony Gilroy and the team at Lucasfilm outdid themselves yet again in crafting every detail. The size of the set alone is impressive, but they take it a step further by developing a unique culture and even language different from anything we've seen in Star Wars before. It all fits seamlessly into this next chapter of the story that has a heavy emphasis on spycraft as the pressure ramps up for both the Rebellion and the Empire.
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