The penultimate episode of each season is typically cataclysmic and, being the final season, S8E5 really took this trend and ran with it. While this will likely prove to be one of the most divisive and, to some, unforgivable episodes, it was nothing if not surprising. I don’t wanna get into it here, but the condensed nature of this season is having some serious repercussions.

Dany is betrayed once again, the Northern army camps outside King’s Landing, Tyrion pleads for one last chance at peace, Arya and the Hound infiltrate the capital, the Lannister brother share a solemn farewell, Qyburn tries to protect his Queen, the Iron Fleet burns in Blackwater Bay, The Hound finally faces his fraternal nemesis (foe if you’re into alliteration), the Lannister army surrenders to the invaders, and the bells of King’s Landing ring desperately for salvation, before all hell breaks loose…

Arya struggles to survive the calamity, the Northern army gives in to their bloodlust, a wounded Jaime comforts Cersei, while the city without honour crumbles, as Daenerys Targaryen, first of her name, Queen of the Andals, the Rhoynar, and the First Men, Khaleesi of the Great Grass Sea, Breaker of Chains and Mother of Dragons, burns them all.

Game of Thrones Theme: The Bells - Ramin Djawadi

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Oct 19, 2025

Bonus Episode - ToB Film Club - Kingpin (1996)

Before Matt officially joined the show as a co-host he was invited on as guest to talk about one of his favourite movies of all time, ‘Swingers’. Now returning in an official capacity to the ToB Film Club, he brings with him another film from his top-3, another comedy, ‘Kingpin’. A Farrelly brothers film that followed up their smash hit breakout, ‘Dumb and Dumber’, and you can see the through lines. Like ‘Dumb and Dumber’ we follow two guys who are down on their luck as they head out on the road where chaos and hilarity ensue. Unfortunately it wasn’t the hit they hoped despite a killer cast, including legends Bill Murray, Randy Quaid and Woody Harrelson and as a result it didn't leave as large of a cultural footprint as some of the other Farrelly brothers films from this era. It's been nearly 30 years so now seems as good a time as any to revisit this sleeper and see what everyone was missing back then.

Oct 9, 2025

Episode 200 - Meet Matt!

After an extended hiatus, ToB returns with a fresh voice on the second chair. Julian is joined by long-time friend of the show, Matt Tworek. We spend this first episode of the "new" ToB getting to know him and setting up what else is to come.

Jun 5, 2025

SSSW - Tales of the Underworld

Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.

May 22, 2025

SSSW/ToB Film Club - Rogue One: A Star Wars Story

It's hard to believe that 'Rogue One' premiered nearly a decade ago. At the time, it was fairly well received, considered to be a decent first step into the standalone Star Wars movies, if not a bit messy. As the years passed, we learned more about the production. Gareth Edwards, who retained sole directing credit, was assisted by Tony Gilroy to "fix" the project. Tony went so far as to call it a "corpse" when he came aboard for rewrites and reshoots. It was Tony's inclusion that brought us some of the movies most memorable moments, and ultimately led him to leading the charge on 'Andor', a prequel project that flew under the radar as hits like 'The Mandalorian' hogged the spotlight. With 'Andor' now complete, considered by many to be a masterpiece in storytelling, not just in Star Wars but on television in general, now is the most appropriate time to reexamine the movie that spawned the Cassian-centered prequel series with fresh eyes. 'Andor', which leads directly into the events of 'Rogue One' recontextualizes much of the film, creating a unique viewing experience that pays off a multitude of threads that are brilliantly laid over the two seasons of 'Andor'. It takes the movie, which was already pretty good, and makes it great. Now existing as part of a whole that weaves a cohesive narrative from the nascent moments of the Rebellion all the way through to the destruction of the Death Star in 1977 (the seed that begat ALL Star Wars, and what we appropriately align our Star Wars BBY calendars to). It all feels wholistic and considered when viewed from the broader perspective - an accomplishment that should set a shining example of what Star Wars can and should aspire to.

S8E5 "The Bells": ToB Breakdown

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